{"title":"Catalog","description":null,"products":[{"product_id":"robert-mapplethorpe-lady-lisa-lyon-1983","title":"Robert Mapplethorpe — Lady Lisa Lyon (1983)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e The Viking Press, New York, 1983\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Foreword by Sam Wagstaff; text by Bruce Chatwin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing (cloth issue)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Black cloth, photographic dust jacket (price-clipped)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 128 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28 x 23 cm (11 x 9 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-670-43012-9\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Mapplethorpe on the half-title.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a very near fine dust jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBetween 1980 and 1983 Mapplethorpe photographed Lisa Lyon, winner of the first World Women's Bodybuilding Championship in 1979, again and again: in the studio and outdoors, nude and in costume. Lady was the book that came out of that collaboration, and his first monograph from a trade publisher.\u003c\/p\u003e\u003cp\u003eIts subject is the body as something made: shaped by training, then shaped again by the camera into the classical forms Mapplethorpe prized. Bruce Chatwin's introduction treats Lyon as a performer of many selves, and read now the book anticipates by several years the idea of gender as performance that Judith Butler set out in 1990.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894709879101,"sku":"DI-001","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed.jpg?v=1793689121"},{"product_id":"robert-mapplethorpe-black-book-1986-inscribed-to-ken-moody","title":"Robert Mapplethorpe — Black Book (1986), inscribed to Ken Moody","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e St. Martin's Press, New York, 1986\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Introductory poem by Ntozake Shange\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Black cloth, unclipped photographic dust jacket ($40.00)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28.5 x 28 cm (11.25 x 11 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-312-08302-5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed on the front free endpaper to Ken Moody, \"one of my favorite models\", signed and dated '87.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine in a near fine jacket; mild shelfwear to bottom edge, one small closed tear to jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBlack Book gathers Mapplethorpe's studio portraits and nudes of Black men, introduced by a poem by Ntozake Shange. It grew out of a smaller book, Black Males, published in Amsterdam in 1980 with an introduction by Edmund White, and became the most contested work of his career.\u003c\/p\u003e\u003cp\u003eThe arguments it provoked are part of its meaning. The critic Kobena Mercer first read the photographs as racial fetishism, then returned to them in a later essay to argue that they also unsettle the white gaze they seem to serve. The book remains at the centre of unresolved debates about desire, race and representation.\u003c\/p\u003e\u003cp\u003eThis copy is inscribed by Mapplethorpe to Ken Moody, a physical trainer and the model he photographed most often between 1983 and 1985, as \"one of my favorite models\". It joins the photographer and one of the people the book depicts.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894710272317,"sku":"DI-002","price":7150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_b0b7905b-7a57-40e3-94ee-b4dc3ce479b4.jpg?v=1793689123"},{"product_id":"robert-mapplethorpe-certain-people-a-book-of-portraits-1985","title":"Robert Mapplethorpe — Certain People: A Book of Portraits (1985)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Twelvetrees Press, Pasadena, 1985\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Essay by Susan Sontag\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e Limited to 5,000 casebound copies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Cloth, pictorial dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-942642-14-7\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Mapplethorpe on the half-title and inscribed \"For Nicholas\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good in a very good dust jacket; minor jacket wear.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMapplethorpe's portrait book: artists, writers, musicians, socialites and friends from New York in the late 1970s and early 80s, photographed with the same formal severity he brought to flowers and nudes. Jack Woody's Twelvetrees Press in Pasadena printed it in 1985, to the standard of its books on George Platt Lynes.\u003c\/p\u003e\u003cp\u003eThe introduction is by Susan Sontag, who had sat for him, and was later collected in her essays as \"Certain Mapplethorpes\". Seen together, the portraits are an index of a social world, downtown and uptown at once, recorded in the years when AIDS began to empty it.\u003c\/p\u003e\u003cp\u003eSigned by Mapplethorpe and inscribed \"For Nicholas\".\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894710468925,"sku":"DI-003","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_766b3570-0cb2-46a2-873f-6fdd28961e6e.jpg?v=1793689124"},{"product_id":"robert-mapplethorpe-robert-mapplethorpe-1970-1983-1983","title":"Robert Mapplethorpe — Robert Mapplethorpe 1970–1983 (1983)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Institute of Contemporary Arts, London, 1983\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Preface by Sandy Nairne; essays by Stuart Morgan and Alan Hollinghurst\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Oversized pictorial softcover (no hardcover issued)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 63 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Mapplethorpe on the title page (not inscribed).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe catalogue of the survey the Institute of Contemporary Arts organised in 1983, which toured to Edinburgh, Bristol, London, Nottingham and Oxford over 1983 and 1984. It covers thirteen years of work: Polaroids and early constructions, flowers, portraits and figure studies.\u003c\/p\u003e\u003cp\u003eThe essays are a reason to own it. Stuart Morgan, among the sharpest British critics of the period, writes alongside Alan Hollinghurst, then at the Times Literary Supplement and five years from publishing The Swimming-Pool Library, a novel that shares these photographs' preoccupation with beauty, class and the classical male body. Sandy Nairne contributes the preface.\u003c\/p\u003e\u003cp\u003eIssued only in softcover.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894710567229,"sku":"DI-004","price":1025.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_40caf181-30ff-489d-a75c-b8d1d7975220.jpg?v=1793689126"},{"product_id":"robert-mapplethorpe-robert-mapplethorpe-1981-frankfurter-kunstverein","title":"Robert Mapplethorpe — Robert Mapplethorpe (1981), Frankfurter Kunstverein","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Frankfurter Kunstverein, Frankfurt, 1981\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Edited by Peter Weiermair\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e White photo-illustrated wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e [5] pp. text + 59 full-page plates\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Quarto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e German \/ English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed on the front free endpaper \"For MC '79 '82\" and signed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good; bright, sharp corners. In a removable archival jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe catalogue of Mapplethorpe's exhibition at the Frankfurter Kunstverein, 10 April to 17 May 1981, edited by Peter Weiermair. Weiermair, an Austrian curator, later wrote The Hidden Image (1988), a history of the photographed male nude, and edited a monograph on Arthur Tress.\u003c\/p\u003e\u003cp\u003eFifty-nine full-page plates make it a substantial early survey, published two years before Mapplethorpe's first trade monograph and at the moment European institutions began to show him. It gives a clear view of the work as it stood at the start of the 1980s, before the fame and the controversies that followed.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894710731069,"sku":"DI-005","price":710.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_e9955409-b496-4fd9-bac9-55812eeb5dca.jpg?v=1793689128"},{"product_id":"robert-mapplethorpe-arthur-rimbaud-a-season-in-hell-1986","title":"Robert Mapplethorpe \/ Arthur Rimbaud — A Season in Hell (1986)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e The Limited Editions Club, New York, 1986\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Translated by Paul Schmidt; photogravures by Robert Mapplethorpe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition thus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e Copy no. 10 of 1,000, signed by Mapplethorpe and Schmidt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Full red morocco, lettered in black; black cloth slipcase; prospectus laid in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 87 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 28.7 x 19.2 cm (11¼ x 7⅝ in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e French \/ English (parallel text)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Mapplethorpe and translator Paul Schmidt in the colophon.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine; previous owner's blind stamp on front free endpaper.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRimbaud wrote Une saison en enfer in 1873, at eighteen, the summer Verlaine shot him in the wrist in Brussels. It is a prose poem of damnation and self-invention, and it became a founding text for twentieth-century poets and musicians, Patti Smith, Mapplethorpe's closest friend, among them.\u003c\/p\u003e\u003cp\u003eFor the Limited Editions Club, Mapplethorpe answered Paul Schmidt's translation with photogravures made by Jon Goodman, among them a rose wreathed in smoke, a revolver and a figure study. It is one of the few times he worked in fine printing, and the velvety blacks of gravure suit his taste for the nineteenth century. The text is printed letterpress and the book bound in red morocco.\u003c\/p\u003e\u003cp\u003eCopy number 10 of 1,000, signed by Mapplethorpe and Schmidt.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894710894909,"sku":"DI-006","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_0d6c3c88-959a-4ef9-85f7-75272d3cae6e.jpg?v=1793689129"},{"product_id":"patti-smith-robert-mapplethorpe-robert-mapplethorpe-1987","title":"Patti Smith \/ Robert Mapplethorpe — Robert Mapplethorpe (1987)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Bellport Press, New York, 1987\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Text by Patti Smith\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e Limited to 2,000 copies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Brown cloth, dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Quarto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed by Mapplethorpe to Maria Morris Hambourg, founding curator of the Department of Photographs at the Metropolitan Museum of Art.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a near fine dust jacket with very slight soiling.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePatti Smith and Robert Mapplethorpe met in Brooklyn in 1967 and remained each other's first audience for the rest of his life; her memoir Just Kids (2010) tells the story of that friendship. This book, published in 1987, a year before his retrospective at the Whitney Museum, pairs her text with eighteen mounted colour plates of flowers, portraits and figure studies.\u003c\/p\u003e\u003cp\u003eLimited to 2,000 copies, it is one of the most personal objects in the Mapplethorpe bibliography: a portrait of the artist by the person who knew him longest, made while he was ill and two years before his death.\u003c\/p\u003e\u003cp\u003eThis copy is inscribed by Mapplethorpe to Maria Morris Hambourg, who in 1992 became the founding curator of the Metropolitan Museum of Art's Department of Photographs.\u003c\/p\u003e","brand":"Patti Smith","offers":[{"title":"Default Title","offer_id":67894711025981,"sku":"DI-007","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_0e7ce582-aa74-4336-8838-f6115acb3c65.jpg?v=1793689130"},{"product_id":"robert-mapplethorpe-altars-1995-signed-by-edmund-white","title":"Robert Mapplethorpe — Altars (1995), signed by Edmund White","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Random House, New York, 1995\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Essay by Edmund White; edited and designed by Mark Holborn and Dimitri Levas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Black cloth lettered in red, dust jacket, publisher's slipcase\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 139 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30.5 x 28 cm (12 x 11 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-679-42721-6\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Edmund White.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in fine \u003cmeta charset=\"utf-8\"\u003edust jacket\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMapplethorpe often traced his love of symmetry to the altars of the Catholic churches of his childhood in Floral Park, Queens. Altars, assembled after his death by Mark Holborn and Dimitri Levas, follows that thread through the whole of his work: early collages and constructions built from religious images, Polaroids, portraits and previously unpublished colour prints, 127 plates in all.\u003c\/p\u003e\n\u003cp\u003eEdmund White's essay reads the sacred and the erotic in Mapplethorpe as one subject. White knew the downtown world both men belonged to, and he writes about it from inside.\u003c\/p\u003e\n\u003cp\u003eSigned by White, who died in June 2025.\u003c\/p\u003e\n\u003cp\u003ePhotographs of this copy available on request.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"Default Title","offer_id":67894711288125,"sku":"DI-008","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_6ac3e52d-3d6c-4bf5-8ab5-941df7ec2626.jpg?v=1793689132"},{"product_id":"peter-hujar-portraits-in-life-and-death-1976-inscribed","title":"Peter Hujar — Portraits in Life and Death (1976), inscribed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Da Capo Press, New York, 1976\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Introduction by Susan Sontag\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing (softcover issue)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Pictorial wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e [91] pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28 x 25 cm (11 x 10 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-306-80038-1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed by Hujar on the half-title \"To Al \/ with love xoxo\" and signed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine; light rubbing and toning, small bump to lower spine.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe only book Hujar published in his lifetime. Twenty-nine portraits of his circle, among them Susan Sontag lying on a bed, William Burroughs, Fran Lebowitz and Candy Darling in her hospital bed, are followed by eleven photographs he made in 1963 in the Capuchin catacombs of Palermo, where the dressed dead line the walls.\u003c\/p\u003e\u003cp\u003eThe sequence is the argument. In her introduction, Sontag writes that Hujar understands every portrait of the living as also a portrait of the dead, and that the Palermo pictures complete the portraits and comment on them. Many of the sitters died young, Hujar among them in 1987, and the book reads now as a memorial to a world.\u003c\/p\u003e\u003cp\u003eIt has become one of the essential American photobooks and was reissued in 2024. Inscribed by Hujar \"To Al \/ with love xoxo\".\u003c\/p\u003e","brand":"Peter Hujar","offers":[{"title":"Default Title","offer_id":67894711386429,"sku":"DI-009","price":2975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_9405c50a-a330-4a7b-9174-4d8b3d6c0186.jpg?v=1793689133"},{"product_id":"peter-hujar-night-2005","title":"Peter Hujar — Night (2005)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Matthew Marks Gallery \/ Fraenkel Gallery, New York \/ San Francisco, 2005\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Essay by Bob Nickas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Hardcover, unclipped dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e Unpaginated (c. 104 pp., 43 plates)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 28 x 28 cm (11 x 11 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 1-880146-45-2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine in a near fine dust jacket with some toning.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBetween 1974 and 1985 Hujar photographed New York after dark: costumed crowds on Halloween, derelict interiors, cruising grounds in the city's parks, empty loading docks and parking lots, and the abandoned West Side piers. Most of the pictures had never been shown when Matthew Marks Gallery and Fraenkel Gallery exhibited them in 2005.\u003c\/p\u003e\u003cp\u003eBob Nickas's essay places the work in the tradition of street photography, yet these pictures are quieter and stranger: a city as it looked at the hours when gay life took place at its margins. The piers are the territory Arthur Tress photographed in Dockside Interview, and where Hujar's friend David Wojnarowicz wrote and painted.\u003c\/p\u003e\u003cp\u003eForty-three plates.\u003c\/p\u003e","brand":"Peter Hujar","offers":[{"title":"Default Title","offer_id":67894711583037,"sku":"DI-010","price":710.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_fec6c746-ad54-4a7a-9029-0833e67518de.jpg?v=1793689135"},{"product_id":"peter-hujar-intimate-survey-1999","title":"Peter Hujar — Intimate Survey (1999)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Stephen Daiter Gallery, Chicago, 1999\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Remembrance by Nan Goldin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First and only edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled pictorial wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 12 pp. incl. covers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA slim catalogue for Hujar's 1999 exhibition at Stephen Daiter Gallery in Chicago, published twelve years after his death, when his work was still little known outside New York. It reproduces eleven photographs and carries a short remembrance by Nan Goldin.\u003c\/p\u003e\u003cp\u003eGoldin writes from inside the same world: both photographed the performers, writers and lovers of downtown New York, and both lost many of the same friends to AIDS. 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The text is printed letterpress and each print is signed, titled and dated by Tress.\u003c\/p\u003e\u003cp\u003eApollinaire, who coined the word surrealism in 1917, is a natural partner for a photographer whose staged pictures have always worked at the border of memory and dream. Platinum printing, with its long tonal scale and matte surface, gives the images the quality of something remembered rather than seen.\u003c\/p\u003e\u003cp\u003eForty copies were made, twenty-five of them for sale.\u003c\/p\u003e","brand":"Arthur Tress","offers":[{"title":"Default Title","offer_id":67894712009021,"sku":"DI-012","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_1f9b2d30-6e11-424c-aa5a-f7a75a8a6f51.jpg?v=1793689138"},{"product_id":"arthur-tress-male-of-the-species-four-decades-of-photography-1999-inscribed-to-grace-gluec","title":"Arthur Tress — Male of the Species: Four Decades of Photography (1999), inscribed to Grace Glueck","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e FotoFactory Press, Santa Monica, CA, 1999\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Edited by David Sprigle; essays by Edward Lucie-Smith, Michel Tournier and Arthur Tress\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e Limited to 5,000 casebound copies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Hardcover, dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 129 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Quarto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 1-883923-40-9\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed by Tress to New York Times art critic Grace Glueck; signed, captioned photograph, signed letter and invitation laid in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine in a near fine dust jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA survey of forty years of Tress's photographs of men, from the staged psychological dramas of the 1970s to the openly homoerotic work of the 1980s and 90s. FotoFactory Press published it in 1999 for an exhibition at the David Aden Gallery in Venice Beach, with essays by the critic Edward Lucie-Smith, the novelist Michel Tournier and Tress himself.\u003c\/p\u003e\u003cp\u003eThe book shows how continuous his concerns were. The theatre of fantasy, fear and desire that drives The Dream Collector and Theater of the Mind returns with the male body at its centre, and Tournier, a novelist of myth and the body, is one of Tress's most perceptive readers.\u003c\/p\u003e\u003cp\u003eThis copy is inscribed to Grace Glueck, the New York Times art critic, with a signed photograph, a letter and an invitation from Tress laid in.\u003c\/p\u003e","brand":"Arthur Tress","offers":[{"title":"Default Title","offer_id":67894712140093,"sku":"DI-013","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_acca09ae-f378-4b00-ac93-71b6b8024faa.jpg?v=1793689139"},{"product_id":"arthur-tress-theater-of-the-mind-1976","title":"Arthur Tress — Theater of the Mind (1976)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Morgan \u0026amp; Morgan, Dobbs Ferry, NY, 1976\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Texts by Duane Michals, Michel Tournier and A. 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Published in 1976, Theater of the Mind casts friends, neighbours and strangers in staged dreams, fears and private rituals, set among the ruins and vacant lots of 1970s New York and its shoreline.\u003c\/p\u003e\u003cp\u003eThe texts come from three close contemporaries: the photographer Duane Michals, whose own staged sequences explored the same territory; the novelist Michel Tournier; and the critic A. D. Coleman, who that same year named this kind of work \"the directorial mode\", photographs that are made rather than found. The book is a central document of that tendency in American photography, alongside Tress's earlier The Dream Collector.\u003c\/p\u003e","brand":"Arthur Tress","offers":[{"title":"Default Title","offer_id":67894712336701,"sku":"DI-014","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_936e1b19-07f1-435a-984f-950498cf0ed2.jpg?v=1793689141"},{"product_id":"arthur-tress-arthur-tress-1995","title":"Arthur Tress — Arthur Tress (1995)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Edition Stemmle, Zurich, 1995\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Edited with text by Peter Weiermair\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Hardcover, dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 143 pp.; 80 duotone plates\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28 x 24 cm (11 x 9.5 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 3-905514-71-0\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Tress on the title page.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a near fine dust jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA career survey edited by Peter Weiermair, the Austrian curator and author of The Hidden Image, a history of the photographed male nude. Eighty duotone plates run from Tress's documentary work in Appalachia in the late 1960s through The Dream Collector, Shadow and Theater of the Mind to the constructed tabletop still lifes and male figure studies of the 1980s and 90s.\u003c\/p\u003e\u003cp\u003eIt is a good single account of a career that is hard to see whole: Tress has been a documentarian, a surrealist, a gay photographer and a maker of tabletop theatres, sometimes in the same decade.\u003c\/p\u003e","brand":"Arthur Tress","offers":[{"title":"Default Title","offer_id":67894712467773,"sku":"DI-015","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_7eefe19d-c73b-4824-9bdf-9cce4e785169.jpg?v=1793689142"},{"product_id":"arthur-tress-arthur-tress-lux-two-1993","title":"Arthur Tress — Arthur Tress (Lux Two) (1993)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Center for Photographic Art, Carmel, CA, 1993\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Introduction by Michel Tournier\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Printed wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 32 pp.; 26 plates\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 23 x 23 cm (9 x 9 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-9630393-1-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Tress.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eA compact exhibition catalogue from the Center for Photographic Art in Carmel, California: twenty-six plates surveying Tress's work, introduced by the French novelist Michel Tournier.\u003c\/p\u003e\u003cp\u003eTournier is an unexpected and illuminating reader. His novel The Erl-King (1970), which won the Prix Goncourt, has a photographer of children at its centre, and in 1970 he helped found the Rencontres d'Arles, the photography festival. He shared Tress's interest in myth, childhood and the uneasy edges of fantasy, and wrote about him more than once.\u003c\/p\u003e","brand":"Arthur Tress","offers":[{"title":"Default Title","offer_id":67894712664381,"sku":"DI-016","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_ff572c01-81b7-4c96-adad-f7534258c39f.jpg?v=1793689144"},{"product_id":"arthur-tress-planets-2007","title":"Arthur Tress — Planets (2007)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Lodima Press (Portfolio Book #7), Revere, PA, 2007\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e One of 1,000 copies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e c. 15 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 22 x 24.5 cm (8⅝ x 9⅝ in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed by Tress on the title page.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRound close-ups of ordinary objects, photographed so that they read as distant worlds: a late series in which Tress, after decades of staging people, turned to the tabletop and the scale of the cosmos at once. 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This American version carries a story by Edward D. Wood Jr., the director of Plan 9 from Outer Space, who in his last years wrote erotic fiction for the adult publishers of Los Angeles.\u003c\/p\u003e\u003cp\u003eThe pairing is less unlikely than it looks. Both men worked at the margins of postwar American popular culture and have since been reclaimed: Wood as a cult auteur, Tom as one of the most influential artists of gay visual culture.\u003c\/p\u003e\u003cp\u003ePictures show related work, not this copy.\u003c\/p\u003e\u003cp\u003ePhotographs of this copy available on request.\u003c\/p\u003e","brand":"Tom of Finland","offers":[{"title":"Default Title","offer_id":67894716039485,"sku":"DI-037","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/brutos18970_Pekka4_01.jpg?v=1793689175"},{"product_id":"tom-of-finland-retrospective-ii-1991","title":"Tom of Finland — Retrospective II (1991)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Tom of Finland Foundation, Los Angeles, 1991\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 21.5 x 28 cm (8½ x 11 in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 1-879055-28-7\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good; spine cocked, moderate soiling.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe second of the Tom of Finland Foundation's retrospective volumes, published in Los Angeles in 1991, the year Touko Laaksonen died in Helsinki. Its 192 pages follow a career that began in the advertising studios of postwar Finland and produced the leathermen, bikers, police officers and sailors that shaped how gay men saw themselves for half a century.\u003c\/p\u003e\u003cp\u003eThe Foundation, which Laaksonen established with Durk Dehner in 1984 to keep the work together while most museums kept their distance, published these books as an archive in print. The argument has since been won: in 2014 Finland issued postage stamps of his drawings.\u003c\/p\u003e","brand":"Tom of Finland","offers":[{"title":"Default Title","offer_id":67894716137789,"sku":"DI-038","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_5990209c-b3cf-4d25-bbc3-59a57074c482.jpg?v=1793689176"},{"product_id":"tom-of-finland-six-tom-of-finland-calendars-1984-1992-1983-1991","title":"Tom of Finland — Six Tom of Finland calendars (1984–1992) (1983–1991)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Tom of Finland, Los Angeles, 1983–1991\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First editions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimitation:\u003c\/strong\u003e Set of six: 1984, 1986, 1987, 1990, 1991, 1992\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Pictorial wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSix of the wall calendars issued from Los Angeles in the 1980s and early 90s by Tom of Finland's own company, each pairing the months of the year with his drawings. They belong to the years when Laaksonen, after decades of working in advertising in Helsinki, finally lived as an artist, dividing his time between Finland and the Los Angeles house he shared with Durk Dehner.\u003c\/p\u003e\u003cp\u003eCalendars were the most domestic of his formats: made to hang in a kitchen or a bedroom, and to be thrown away in January. That is their interest now. They show the drawings in the form most of his audience lived with, and a run like this one records how gay erotic art moved into everyday life in the decade of AIDS.\u003c\/p\u003e\u003cp\u003e1984, 1986, 1987, 1990, 1991 and 1992.\u003c\/p\u003e","brand":"Tom of Finland","offers":[{"title":"Default Title","offer_id":67894716334397,"sku":"DI-039","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_7df71be3-aa74-4e13-a7bf-b1c348b1b7b4.jpg?v=1793689178"},{"product_id":"bob-mizer-tom-of-finland-physique-pictorial-vol-16-no-2-tom-of-finland-cover-1967","title":"Bob Mizer \/ Tom of Finland — Physique Pictorial, vol. 16, no. 2 (Tom of Finland cover) (1967)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Athletic Model Guild, Los Angeles, 1967\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContributors:\u003c\/strong\u003e Edited by Bob Mizer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e Original issue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled pictorial wraps (digest)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 14 x 21.5 cm (5½ x 8½ in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Good.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBob Mizer founded Physique Pictorial in Los Angeles in 1951 as a catalogue for the Athletic Model Guild, his studio of bodybuilders and drifters photographed in posing straps. Presented as a fitness magazine, and sold on newsstands when gay publishing was policed as obscenity, it became one of the foundations of postwar gay visual culture.\u003c\/p\u003e\u003cp\u003eIt was Mizer who first published Touko Laaksonen, on the cover of the spring 1957 issue, and who gave him the name Tom of Finland. This issue from the 1960s carries one of Tom's drawings on its cover, a reminder that his work reached its first American audience in these small digests.\u003c\/p\u003e","brand":"Bob Mizer","offers":[{"title":"Default Title","offer_id":67894716531005,"sku":"DI-040","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_d84b8fae-beda-4c62-a6b1-318cd2d77d28.jpg?v=1793689179"},{"product_id":"james-baldwin-giovanni-s-room-1956-signed","title":"James Baldwin — Giovanni's Room (1956), signed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e The Dial Press, New York, 1956\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Quarter black cloth and boards, unclipped dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Octavo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed by Baldwin on the half-title (not inscribed).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a fine dust jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBaldwin's second novel, written in Paris and published in 1956. David, a young American waiting for his fiancée to return from Spain, falls in love with Giovanni, an Italian barman, and abandons him; he tells the story on the night before Giovanni's execution. Knopf, which had published Go Tell It on the Mountain, turned it down, reportedly advising Baldwin to burn the manuscript, and Dial Press took it.\u003c\/p\u003e\u003cp\u003eBaldwin made his characters white, saying he could not have taken on both race and sexuality in a single book. The result is a novel about shame, masculinity and the cost of refusing love, and about American innocence abroad. 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Isherwood, writing in his late fifties in Santa Monica, moves between George's body (waking, shaving, teaching, swimming, drinking) and his consciousness, in a single-day form that recalls Mrs Dalloway, and treats a gay man's grief simply as grief.\u003c\/p\u003e\u003cp\u003eIsherwood thought it his best novel, and it is the book in which the author of Goodbye to Berlin found his late voice. George's classroom lecture on minorities, and on the fear that underlies prejudice, is one of the most quoted passages in gay fiction. Tom Ford's 2009 film brought it to a new audience.\u003c\/p\u003e\u003cp\u003eThe London first edition, published by Methuen in the same year as the American.\u003c\/p\u003e","brand":"Christopher Isherwood","offers":[{"title":"Default Title","offer_id":67894717514045,"sku":"DI-046","price":2100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_09ba105b-5080-4920-a613-793a814e60e6.jpg?v=1793689189"},{"product_id":"john-rechy-city-of-night-1963-inscribed","title":"John Rechy — City of Night (1963), inscribed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e Grove Press, New York, 1963\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing; first-state dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Cloth, dust jacket with Tony Canales author photograph\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 410 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 12mo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed and inscribed on the front free endpaper to Ralph Sylvester.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a near fine dust jacket.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRechy's first novel, published by Grove Press in 1963, follows an unnamed young hustler from El Paso through Times Square, Pershing Square in Los Angeles, the French Quarter at Mardi Gras and San Francisco: a nocturnal America of bars, parks and rented rooms that respectable literature did not acknowledge. Sections first appeared in Evergreen Review and Big Table, where its incantatory, street-level voice drew immediate attention.\u003c\/p\u003e\u003cp\u003eIt became a bestseller in spite of reviews such as the New York Review of Books' notoriously hostile one. Rechy, who grew up Mexican American in El Paso and drew on his own life, is now recognised as a forerunner of both gay and Chicano literature, and the Doors borrowed his title for a line in L.A. Woman.\u003c\/p\u003e\u003cp\u003eInscribed to Ralph Sylvester, co-founder of the Los Angeles fine press Sylvester \u0026amp; Orphanos.\u003c\/p\u003e","brand":"John Rechy","offers":[{"title":"Default Title","offer_id":67894717645117,"sku":"DI-047","price":1975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_8fe30df4-8c33-4c41-8348-8023068ea9de.jpg?v=1793689190"},{"product_id":"andrew-holleran-dancer-from-the-dance-1978-inscribed","title":"Andrew Holleran — Dancer from the Dance (1978), inscribed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e William Morrow, New York, 1978\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Quarter cream cloth over orange boards, dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 250 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Octavo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed and inscribed by Holleran on the half-title, dated 6\/14\/88.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Near fine in a near fine dust jacket; light toning and foxing; small dent to front board.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAndrew Holleran's first novel is the elegy of 1970s gay Manhattan, written while that world was at its height: Malone, a beautiful young lawyer who gives up his career for the discotheques and Fire Island Pines, seen through the memories of the friends who adored him. Holleran frames it with letters between two friends, one still in New York and one who has fled south, so the book both indulges and questions the life it describes.\u003c\/p\u003e\u003cp\u003eIt appeared in 1978, the same year as Larry Kramer's Faggots, and the two have been read ever since as opposite verdicts on the same scene, Kramer's satire against Holleran's lyric. Holleran, a member of the Violet Quill circle with Edmund White and Felice Picano, wrote it before AIDS; the book has come to read as a requiem for a world the epidemic would destroy within a few years.\u003c\/p\u003e","brand":"Andrew Holleran","offers":[{"title":"Default Title","offer_id":67894717874493,"sku":"DI-048","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_1b2e646e-d551-4f18-b1bb-4d56db50bf53.jpg?v=1793689191"},{"product_id":"edmund-white-a-boy-s-own-story-1982-signed","title":"Edmund White — A Boy's Own Story (1982), signed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e E. P. 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Its title borrows from the Victorian adventure magazine The Boy's Own Paper, and its sensuous, exact prose recalls Nabokov, who named White among his favourite American writers.\u003c\/p\u003e\u003cp\u003eIt took gay fiction into the mainstream bookshop and onto the reading lists of readers who were not gay, and it began the cycle that continued with The Beautiful Room Is Empty and The Farewell Symphony. White, a member of the Violet Quill and co-author of The Joy of Gay Sex, became the most visible gay writer of his generation. He died in June 2025.\u003c\/p\u003e","brand":"Edmund White","offers":[{"title":"Default Title","offer_id":67894718071101,"sku":"DI-049","price":505.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_6308fc1e-494e-447f-a141-a3bf6f437963.jpg?v=1793689194"},{"product_id":"edmund-white-states-of-desire-travels-in-gay-america-1980-inscribed","title":"Edmund White — States of Desire: Travels in Gay America (1980), inscribed","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e E. P. Dutton, New York, 1980\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing (full number line)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Quarter cloth, unclipped dust jacket in Brodart\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 336 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 14 x 21.5 cm (5½ x 8½ in)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 0-525-22235-1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Inscribed by White on the half-title.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine in a fine dust jacket; one tiny fox spot to top edge.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAt the end of the 1970s Edmund White travelled to some twenty American cities to report on how gay men lived in the decade after Stonewall: their bars and churches, their politics, couples and loners, the new neighbourhoods and the men who stayed in the closet. States of Desire, published by Dutton in 1980, is part travel writing, part sociology and part self-portrait.\u003c\/p\u003e\u003cp\u003eIt was published a year before the first medical reports of what would be called AIDS, and it is now read as a portrait of a vanished moment: confident, various, unaware of what was coming. It is also an early example of literary reportage applied to gay life, by the writer who would become its most visible chronicler.\u003c\/p\u003e","brand":"Edmund White","offers":[{"title":"Default Title","offer_id":67894718234941,"sku":"DI-050","price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1024\/2857\/4013\/files\/unnamed_8ebc03cc-6774-4f52-bd19-813a00a3c3f0.jpg?v=1793689194"},{"product_id":"frank-o-hara-lunch-poems-1964","title":"Frank O'Hara — Lunch Poems (1964)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublished:\u003c\/strong\u003e City Lights Books (Pocket Poets 19), San Francisco, 1964\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e First edition, first printing ($1.25 on rear wrapper)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Original printed wrappers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 76 pp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 16 x 12.5 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine; unread.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eFrank O'Hara wrote many of these poems on his lunch hour from the Museum of Modern Art, where he started on the front desk and became a curator; the back cover describes him pausing at a sample Olivetti to type them up. Ferlinghetti asked for the book in 1959, O'Hara took five years to assemble it, and City Lights published it in 1964 as number 19 of the Pocket Poets.\u003c\/p\u003e\u003cp\u003eA Step Away from Them, The Day Lady Died, written on hearing of Billie Holiday's death, and Poem (Lana Turner has collapsed!) made the city's ordinary distractions the substance of poetry and gave the New York School its most quoted book. 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